Charles Shyer, the creative force behind some of Hollywood's most beloved romantic comedies, leaves behind a remarkable career spanning multiple decades.

According to Breitbart, the Oscar-nominated writer and filmmaker died at age 83 in Los Angeles on Friday, as confirmed by his daughter Hallie Meyers-Shyer.

Born in Los Angeles in 1941, Shyer emerged from a family deeply rooted in the entertainment industry, with his father, Melville Shyer, being one of the founding members of the Directors Guild of America.

His journey in Hollywood began with television writing, where he worked alongside Garry Marshall on shows like "The Odd Couple" before transitioning to feature films.

Early Career Breakthrough Shapes Hollywood Success Story

Shyer's path to success started with writing credits on notable films, including "Smokey and the Bandit," Jack Nicholson's "Goin' South," and "House Calls."

His breakthrough came through collaboration with Nancy Meyers on "Private Benjamin," starring Goldie Hawn. Initially rejected by every major studio, the script proved critics wrong by becoming one of 1980's biggest hits.

The success of "Private Benjamin" earned Shyer and his collaborators an Oscar nomination and a Writers Guild award. This achievement paved the way for his directorial debut with "Irreconcilable Differences," a film that drew inspiration from Peter Bogdanovich's publicized personal life.

Shyer's creative partnership with Nancy Meyers, whom he married in 1980, produced several iconic films that defined the romantic comedy genre.

Their collaborative chemistry was evident in their shared sense of humor and appreciation for cinema.

Iconic Films Define Golden Era of Romantic Comedy

Speaking about his partnership with Meyers, Shyer revealed their creative synergy. He shared thoughts about their collaborative process, as quoted:

Nancy and I just laughed at the same things. We love the same movies, we kind of educate each other on the movies that each of us loved. And Nancy really made me laugh. I think she wrote the best one-liners of anybody I know, except Neil Simon. And, and we were just always in sync — as filmmakers, we had this thing.

The duo's successful streak continued with hits like "Baby Boom" featuring Diane Keaton, and their reimagining of "Father of the Bride" with Steve Martin. Their final collaboration before divorcing in 1999 was "The Parent Trap," featuring Lindsay Lohan in a breakthrough dual role.

Their approach to remakes was distinctive, avoiding simple reproductions in favor of fresh interpretations. This philosophy contributed to their films' enduring appeal across generations.

Final Chapter Marks Return to Beloved Genre

In his later years, Shyer maintained his dedication to storytelling despite experiencing both successes and setbacks.

His career included directing "Alfie" with Jude Law and "The Affair of the Necklace" starring Hilary Swank, though these projects achieved modest commercial success.

Recent years saw Shyer return to his roots with two Netflix Christmas romantic comedies: "The Noel Diary" and "Best. Christmas. Ever!" His passion for filmmaking remained undiminished, as evidenced by his stance on retirement:

What am I going to do? Garden? I just have a lot of energy. I want to keep going. I actually love the process and I love the camaraderie. I love what I do. If I drop dead, maybe it will be holding a camera.

At the time of his passing, Shyer was developing a personal project inspired by his teenage experiences, envisioned as a blend between "The 400 Blows" and "One Flew Over the Cuckoo's Nest."

Master Storyteller Takes Final Bow

Charles Shyer, the acclaimed filmmaker who shaped the romantic comedy landscape of the 1980s and 1990s, passed away at 83 in Los Angeles. His death on Friday marked the end of a career that produced beloved classics like "Father of the Bride," "Baby Boom," and "Private Benjamin."

Shyer's legacy encompasses not only his directorial achievements but also his significant contributions to screenplay writing and his impact on the romantic comedy genre. He is survived by his children Annie, Hallie, Jacob, and Sophia, leaving behind a body of work that continues to resonate with audiences worldwide.